Call Sheets

These are our call sheets which include all the information about the different shoots that will be taking place. These call sheets allow us and our actors to be prepared and organised for the shoots. The information included on these call sheets are the actors and crew needed for the particular shoot, make up and costume needed, the time and date of the shoot and the props needed. Here is a link to all the call sheets:

 

https://www.dropbox.com/s/itvqd7pj7yhehca/CALL%20SHEETS.pdf

Filming Schedule

This was our very first filming schedule that we created and was planning to stick to as closely as possible. However during the start of our filming process, the majority of our actors pulled out of the project, therefore we had to change the schedule in order to fit our new actors timetable. Again these actors decided to pull out due to coursework deadlines, therefore we had to find last minute actors. Overall we did not have a set schedule due to the amount of cancellations we had, however we aimed to film as many days a week as possible which helped us get the footage filmed as quickly as possible in order to start the editing process.

Script Of Our Trailer

Scene 1: Reporting on street

(Scene dissolves in from static. A reporter is on screen with a news report of a murder with banners detailing the report and box containing photos of murders. Diegetic sounds of the street are heard with a non-diegetic sound of police and ambulance sirens and a light chatter in the background.)

Reporter: We are live on the scene at a brutal attack in which a mother of 3 is alleged to have murdered her husband and children (camera pans to view of house) but leaving her youngest daughter as a sole survivor thanks to police intervention. (Pans to view of woman by car) Reports are coming in that the woman in question has no history of mental illness and the police are currently not aware of the cause of this vicious assault. (Woman is put in the car by “plain-clothes” police officer.)

Scene 2: Hospital

(Establishing shot of the hospital at a low angle. Scene cuts to a long 2 shot of a young woman and a doctor walking down a hospital hallway. The doctor is leading her and detailing the status of her mother’s case.)

Doctor: The discharge papers are almost finished; you just need to sign a form to assert that your mother will be staying with your family during her recuperation.

Ella: You really think that’ll help?

Doctor: Simply visiting over this past year has improved her recovery process, Mrs. Garcia. She’s no longer showing any signs of schizophrenia and we have no reason to keep her here any longer (they stop outside of the hospital door). She is cured. (Ella peeks around him into the door window) And here’s the copy of her medical history you requested (he hands over a file and she opens it but is interrupted) I think it’s time we tell her. (They enter.)

Scene 3: Hospital bedroom

(The camera tilts upwards to a long/medium shot behind the mother. She is facing a corner window on a rocking chair with a knitted blanket over her, slowly rocking. Ella walks up behind her.)

Ella: Mum? You’re gonna be coming home with me, okay? William and I are gonna take care of you for a while.

Scene 7: Kitchen

William: Ella, I’m telling you, there’s something wrong.

Ella: Will, she’s just out of hospital. She’s just transitioning.

William: There’s transitioning and then there’s…her.

Ella: Just drop it. She was in there for 15 years after a psychotic break! She’s home and she’s cured. Leave it be. (Walks out).

William: I just… don’t trust her.

Scene 8: Dinner Table

Ella: Finish of your peas, Logan. No desert ‘til that plate’s clean. (Ella and William leave the table.)

(Mary stares at Logan until he looks up at her. She shakes then he eyes roll back in her head, before turning white. Logan screams and runs away from the table.)

Ella: Honey, what’s wrong?

Logan: Mum! Mum! Don’t make me- don’t make me-

Ella: Logan! What?

Logan: Mum…her eyes. (Ella and William exchange a worried look.)

Symbiotic Link

A symbiotic link needs to connect each product so that upon viewing, the audience immediately know which movie the product belongs to.  To achieve this, we will use the same tagline, main image of the antagonist, font, clothing and colour scheme across the entire package. The tagline, “She can’t be cured”, will feature towards the end of the trailer and the base of the movie poster, however it will not be featured on the magazine front cover as it is not a convention. The main image is of our antagonist wearing a Victorian-style white nightgown with a brown cardigan and this will feature throughout our products. Font and colour scheme will be the same in the trailer and poster only due to the fact that the magazines have their own colour scheme. The clothing would be the same throughout the production package that we will be creating; this is to represent her age and her ethereal like image.  In all three of the products the antagonist will always have backcombed, scruffy hair and white tinted eyes to create the possessed look.