Wednesday, 24 October 2012

Props Ideas


In any film, there is a selection of elements that make a movie work. These fundamental aspects are found in every movie and without them, the film is sure to fail. Supernatural horror movies generally keep to the same conventions of the elements of costume, props and locations of other horror movies but with subtle differences. 

An element that is important is props and within the horror genre, if chosen appropriately props can increase the terror in a scene, or destroy it. A useful facet of the supernatural genre in terms of props is that any object can look terrifying when supposedly possessed or cursed. The most commonly used are children’s toys or antiques as the innocence and the aged quality give it a creepy effect.

 Children’s toys have always been popular in the horror genre because, as previously mentioned, they portray innocence. The reason innocence is so scary in this case is because that quality is corrupted by a curse or an evil spirit and that resonates with the audience. Being a child is associated with being safe and secure, and by destroying that the horror is enhanced as the audience no longer feel the safety they expected from the objects. A prime example of this is in “The Woman in Black” when the toys are combined with the contrapuntal sound of a wind-up toy. 







Another example of this is seen in Stanley Kubrick's The Shining when young Danny rides around an empty hotel on his tricycle. The image of something so innocent paired with the tense music creates tension that raises questions in the audience's minds; "Where is he going?", "What's he going to run into?", and "What's behind that door?", and as Danny rides away quickly, the audience are left in wonder and fear at what lurks behind the door of room 237.




Antique items are always popular, and in some cases this is combined with children’s toys as seen in The Woman in Black, as they have a mysterious history that could hide all sorts of supernatural surprises. As well as that, previous centuries were deemed much more superstitious than present day and held sĂ©ances, exorcisms and other events that seem out of place nowadays. One such antique item is the ‘Dybbuk Box’. This wine cabinet is said to be haunted by a Dybbuk, a restless, and malevolent spirit in Jewish folklore, that is said to haunt and possess the living and was the inspiration for the film “The Possession”.



The Dybbuk Box
Religious imagery is widely used and follows along the theme of superstition. The Christian faith is riddled with superstition, the main portrayal of that being exorcisms. Even before the movie of the same name, exorcisms have been seen as a terrifying event of pulling a demon from a person through religious ceremony. The presence of crosses has given the crucifix itself horrific connotations and now religious imagery is present in most horror movies.
Other conventions in the supernatural genre are Ouija Boards, Tarot Cards, Pentagrams and other Satanic Symbols that are all used to contact the deceased. Each of these inevitably led to a possession or bodily harm to the person exposed to it or using it. This all ties in to the human nature of superstition; most people will admit that they believe that there are unknown forces such as spirits or ghosts and many of those people would admit to doing certain things to avoid spirits etc. whether that is burning sage to ward off spirits or not looking in mirrors at night.




Witchboard from 1986 is an example as it uses a ouija board at the centre of it's storyline as a line of communication from a group of friends to a deceased friend on the 'other side'. The spirit they contact however is an evil spirit that is impersonating their friend and wants to possess the protagonist so that it can come back to life and soon friends begin dying in it's quest. 




Props that we plan to use within our horror movie trailer include:
-rocking chair
-curtains
-toys
-blanket
-table
-plates
-sketchbook

These props have been used within the filming of our trailer because we feel that they created an edgy feel to the trailer, and added to the effect of the antagonist.

Costume, Hair, Make Up Ideas


Slasher movies consist of very specific costume choices for example the antagonist usually wears a mask to hide his identity which delivers to the audience fear the unknown and to make the villain look demonic. Masks are also memorable, therefore the audience will feel haunted by them. To top of the mask the antagonist usually wears heavy black, dark clothing that just enhances the fear of the person, the colour of the costume are dull which reflects the horror genre and also makes them look more sinister.


The protagonist is usually female in horror movies, as well as most movie genres, as the audience are more likely to accept a female who is terrified and screaming as she battles against the antagonist, rather than a male. She usually wears sophisticated, unrevealing clothing which makes her stand out as the final girl, whilst her friends (the victims) tend to wear more provocative clothing like miniskirts and low cut tops which makes us think that they are an easy target for the antagonist. The protagonist generally tends to dress in a male fashion, but still maintaining her female qualities.  There clothing tends to be really plain and simple with dull colours as well which again reflects the horror genre.  

 In supernatural horror movies, the costume tends to be very modern as it is a more modern sub-genre. In "Paranormal Activity", the characters all wear average, every day clothing similar to that which the audience may wear so as to make the "found footage" seem much more realistic and therefore more terrifying. The characters within the movie are generally dressed very casually, however when the antagonist takes human form, the costume changes generally to all white, but the white tends to be tainted, which perhaps blood.   The colours of the general characters in horrors are often dull and muted to create a dark, mysterious and unsettling mood. In movies such as "The Devil Inside", the antagonist is dressed in an old fashioned grey gown, which makes her look ghostly and dull, which reflects the fact that she is possessed.

Our ideas for costume:
Our movie is a supernatural, based on a possession. Our costume ideas are similar to The Devil Inside, because we feel they created a frightening antagonist look. Our antagonist, Mary, for the majority of our trailer will be wearing a very Victorian white gown to make her seem ghostly and other worldly, along with an old, rag like cardigan on top that will add a human quality to her that reinforces that the antagonist is actually human, and actually the protagonist's mother, making her more scary. The white gown obviously ages her, but the main reason for the white gown is to make her seem pure and innocent which contrasts to the demon that has possessed her.  The rest of the family are a modern twenty first century family, therefore their costume within the trailer will be casual, everyday clothing, most likely winter clothing because weather patterns in horror movies tend to be dull and cold.
                       


Existing make-up in horror:


 Make-up in existing horror movies tends to be very basic for the general characters. The make-up is generally used to enhance their look for the camera, or to make them look older or younger. The antagonist usually has the most make up, to give them a distorted look, and to add flaws to their skins to add to the horror effect. Special effect make up is used in every horror movie, to create things such as cuts, bruises, scars, burns, blood etc. 




Our ideas for make-up:
Our make-up techniques will include ageing our main actress, in order for her to look very worn out and old. Other make up techniques are very minor within our trailer. For the beginning of the trailer, three photos of the murdered victims will be shown, and we plan to use make up techniques such as gun shots or slit throats. The other characters will just have basic make up, to enhance their features and generally look good on the camera.

Existing hair styles in horror:

Generally in horror movies, hair doesn't play a big part; this is because you can’t really do much about the hair. The protagonist has straight or wavy hair that is either tied up or if it is short it will rest on their shoulders.  This is because they want to create a plain look and so people don’t focus on the hair, they want to present a normal, everyday look. The antagonist usually has very scruffy thick hair; it is never groomed just to reflect the whole edgy side to them which again links with their overall look and the horror genre. In regards to hair colour, the main protagonist of horror movies tends to have brunette hair as brunettes are stereotypically smarter, and will therefore last until she is the "final girl". Darker hair also connotes a darker spirit, as those with blonde hair are seen as innocent and pure. Just as there are different connotation to hair colour, the state of the hair also says a lot about a character. Taking the two images above as examples, the image of Liv Tyler on the left shows her with well-groomed, straight hair, whereas the image of the antagonist in "The Devil Inside" has wild hair that is unkempt and straw like; the lifelessness of the characters hair often reflects the lifelessness of the characters soul. Drawing from this, we have decided to style our actress a hairstyle that is similar to that of the antagonist in "The Devil Inside".


Our ideas for hair styling:
We have decided to give our main antagonist a very rugged look, her hair would be a natural colour with streaks of grey. This is again to age our main actress and make her stand out from the main characters. The victims will have basic hair styles like pony tails or natural waves. We aim to have an actress with long hair which will allow us to use a range of hairstyles within the trailer for the protagonist. 


Make up techniques we found: 



























Film and Trailer Narrative


Film Narrative

In November 1996, Mary Wilson murdered her family in her home. She killed her husband, son and eldest daughter, but the only family member who was unharmed was her youngest, Ella Wilson. Mary was arrested and sentenced into a psychiatric unit, because doctors assumed she was schizophrenic. Ella was taken into the care of close family members, and fifteen years later is where the new story begins. Ella got happily married and is now Ella Garcia. Ella married William Garcia, and they have a daughter called Logan. Ella has been visiting her mother for a year, who has made a significant recovery, which means that Mary can be released into her daughter's care. Mary's physical and mental state, are still tainted from her past, she may be recovered, but she is still not completely with us mentally. Mary soon settles into her new family home, and the first person who notices that she is still not right is William. William then consults Ella about the strange things he has seen, and they both begin to realise that maybe Mary was never mentally ill. During dinner Logan is sitting with Mary at the table, when she stares at her, Mary’s eyes go completely white, and later on Layla is being tucked into bed, and demands that her Mum doesn't leave because she is scared of her eyes. William and Ella begin to research other illnesses that could be wrong with Mary, and begin to realise that it is not an illness, but she is possessed. Ella tries not to let this bother her, and she does not want to mention it to Logan or her mother. As a result of this, Ella tells her son to go spend time with his Grandma, and this is what triggers Ella to get help. During this time, Mary is playing with a jack in the box, singing pop goes the weasel, and when Ella walks in the room, the jack in the box pops out, and she screams "Your next". During the movie, Mary gets worse and the demon within her begins to focus on the family members through physical actions. The conclusion of the movie comes when the grandmother attacks the family and gets pushed out of the second storey window. As the family rush out of the house to see the body, they frantically call the police only to see that the body has disappeared. The film ends with a cut to Logan's face and his eyes are tinted white like the grandmothers had been.

Trailer Narrative

The trailer begins with an establishing shot that tilts upwards to a dominating view of a house with crime scene tape outside it. The scene cuts to a news report of a reporter outside of the house detailing how a mother tried to murder her entire family but was intervened before killing her youngest daughter, Ella. The woman, in question is led out of the house and into a police car and the camera follows the action as she drives away. The trailer then cuts to television static to show the transition between the news report and real life, and then 15 years later comes up. The daughter is being led through a hospital ward to her mother's room whilst being told of her mother's restored mental health. They look into the room as the doctor advises that she stay in her daughter’s care to aid her transition from the asylum. Ella takes her mother home to live with her and her family, and they are all in severe trouble because of it. Events begin to replay themselves and the family must fight to survive. 

Tuesday, 23 October 2012

Case Study Of An Influencial Director




Eli Roth's cinematic style has influenced our trailer because he uses classic ways of filming instead of modern techniques, which reflects in his work. The last exorcism, a film that was produced by Eli Roth was one of our main influences, and these was a found footage style movie, therefore I feel the narrative was unpredictable and this is how we would like our trailer to turn out. Roth also mentions that left over footage could sometimes have the best effect, and when putting our trailer together, we have used some of our rough footage, because we feel that it had the scariest effect and really helped the narrative come across. 





Real Life Case Study




Anneliese Michel




Anneliese was a German Catholic woman who was said to be possessed by demons, and therefore had man exorcisms carried out on her. The case has been mistaken for mental illness, religious hysteria, and abuse. The Exorcism of Emily Rose is one movie that was loosely based around Michel’s story about her possession. Anneliese was born on 21st September 1952 in West Germany into a strict Catholic family. When she turned sixteen, she was diagnosed with epilepsy due to continuous seizures she kept having, and she was later diagnosed with depression and began o hear voices in her head. Michel’s depression began to get worse because her treatment she was receiving in her psychiatric hospital was not working. Her long term treatment was unsuccessful, in every aspects of her illness, which frustrated Anneliese deeply. Anneliese began to blame her illness on demonic possession, because she could not withstand religious rites, or walk past a crucifix. Michel had another seizure in her psychiatric hospital where she was saying and began talking about devil faces that she could see.  Michel was now certain that she was not ill but she was possessed and therefore appealed for an exorcism from the Catholic Church.  Many priests declined her, and she was put back on medication used for schizophrenic patients. She went on a pilgrimage, and at this point her family had finally come to conclusion she is possessed.  Finally they met Ernst Al, who agreed to perform an exorcism on Anneliese and after sixty seven exorcisms; Anneliese began to starve herself due to the exorcisms. On July 1st, Anneliese died in her house due to malnutrition and dehydration which was blamed on the priests who performed the exorcisms on her, and were then fined.

This case study relates to our narrative because it is a reported case of possession, and our horror movie is a supernatural movie based around a mother who becomes possessed. This case study has given us a real insight to the idea of possession and has helped us develop our narrative even further. I also feel that after researching into Anneliese's case, it has helped us develop our antagonist further, and given us an idea on how to portray someone who is possessed, and this will come across within our trailer.



Trailer Analysis-The Strangers





Genre and subgenre are established very early on within the trailer, due to location and Mise en scene elements. The opening shot is of an open lake in a forest area, and then a house, which is a very isolated area. This isolated location is very typical of a horror movie, because there is no escape. The beginning music in the background is a piano, which is slightly creepy and this could be our first indication to something happening. The narrative is very conventional for a horror movie trailer because there is equilibrium, which get disrupted. We then get the swing moving by itself which means there is something there trying to get them, and this is showing us that this is a horror movie. Sub genre is established when we get a long shot, with a man standing in the background, with a mask on. This straight away tells us that this is a slasher movie, because the killer hiding his identity is a typical slasher convention. We then get multiple shots of two other masked killers, which means this is an unconventional slasher movie because there is more than one antagonist. We then get introduced to our first weapon which is an axe, and weapons again are typical for a slasher movie, we also get a knife and a gun within this trailer.

The narrative of the trailer is highly conventional for a typical horror movie convention because the trailer begins with equilibrium, and it is disrupted, but then attempted to fix, but the end of the trailer leaves you wandering what the outcome was. The trailer begins with the location being established, and we are then introduced to two characters, who appear to be a couple. They are about to have a candle lit dinner, and he is going to propose to her. This is the equilibrium of the trailer, because this young couple do not think anything could go wrong on one of the happiest nights of their lives. This is soon disrupted by a loud bang, and this leads to the couple going to investigate. The couple then begin to look around the house and through the windows, we see an empty swing swinging by itself, which allows us as an audience to realise that there is something there that is going to do something to this couple. We then see the women lock the door, which means that the trailer is becoming tense, because the character are becoming worried and scared. An extreme long shot of the woman standing in her dining room, allows us to see a man in a mask standing behind her in the distance, and this shows us that this is going to be a slasher movie, and this is when the trailer becomes tenser. Following this, we get multiple shots of different masked figures, and the couple at this point are scared, and this tense feeling rubs off on the audience, because we are expecting something big to happen at this point. The young couple walk into the bedroom and see writing all over the windows, and this is when they decide they need to leave the house because they are in danger. When they try to fix this, and get out of the house, this is where everything begins to go seriously wrong because an axe gets hit through the front door. After this, we get the fast montage which includes different clips of the main action that happens in the movie, and this fast montage gets the audience ready for a scare. The last bit of the trailer says ‘why are you doing this to us’ and they reply ‘because you’re at home’. This last line is memorable and will creep the audience out, and will encourage them to watch the movie.





Mise en scene within the trailer allows us as an audience to establish genre. The setting at the start of the trailer shows an open lake in a forest area, which then cuts to an isolated house. These locations are typical of a horror movie due to the fact that they are isolated, which means they cannot get any help because there is no one around who would hear them. We then see rose petals on the bed, and candles at the table, which indicates that the couple are having a romantic night in, and this is the equilibrium of the trailer. We then see an engagement ring box which shows us that they are about to get engaged, and then shows us that something is about to disrupt this happiness. The swing set begins to move on its own, this element of Mise en scene is very important in establishing that there is someone out there, and this creates tension. In a long shot of the main character, we see she is wearing very boyish clothing, such as a shirt and jeans, which makes her less feminine and could mean that she is the final girl in this movie. In the background of this shot, we have the antagonist with a whit mask on; this shows us that he is the killer, because it is a convening for the killer to wear a mask in a slasher movie. As the trailer goes on we get our first weapon which is an axe, and this shows us that the movie is slasher, and also shows us that someone is trying to kill this couple. Other weapons that we see in the next section are knives and a gun, we see weapons in the hands of the killers and the victims, which show that even though these people are in danger, they are trying to fight back and fix this problem. We get a long shot of all three of the killers standing over the victims, and in this shot we see that they are wearing modern day clothing. This gives the trailer a sense of realism, because it shows these are just normal people, apart from the fact they are wearing masks to hide their identities. This would also frighten the audience further because it would give them the impression that this could happen to anyone.



Camera is used within this trailer to create tension for the audience, because the victims are unaware of who is tormenting them. The opening shot is an establishing long shot of the location, which is a lakeside in a forest environment. Lakes and forests are typical horror movie locations because there is a sense of being alone, and having no help around you, so anything could happen. We then get another establishing shot of an isolated house, once again this is a typical location of a horror movie, and this indicates that the movie will be set in this household.  Using a house as a location is clever because it is almost tainting the comfort of someone’s home. Further on, we then get a point of view shot, from the woman looking out of the window, which shows us the swing moving on its own, and this indicates that there is someone outside, and the purpose of this shot is to create tension. A close up is shown of the woman locking the front door and this creates the effect that there is no safety, and she now feels threatened. A long shot of the woman is shown with the antagonist creeping in the background. This is a really effective shot because she is completely oblivious to the fact that he is standing behind her, but it shows us as an audience who is in their house and now they are inside the house, there is no safety. Another long shot is shown of the outside of the house, and in this shot we see another antagonist in a mask, and this shows us that there is more than one killer and they are in danger.  An extreme long shot is shown of a third antagonist, and this shows that that this couple are in serious danger and need to get out of the house, but these shows give the impression that this couple are being continuously watched, and this adds a lot of tension to the trailer. Going on in the trailer, we get a point of view shot from the couple looking at the window, which has ‘hello’ written all over it. This shot shows us that the killers are intimidating the couple, and are creating tension because they still have no shown themselves. A medium shot is shown of the man, with the antagonist in the background with an axe, and this is where the trailer begins to get faster, and therefore the action of the trailer starts here.  We then get multiple shots, including close ups and medium shots showing the victims trying to get away from the killers, and the close ups are showing the expressions of the victims, which are scared. We are also getting shots showing the killers in closer details. The final shot, which is a medium long shot, shows the three killers standing over the two victims. This shot gives the antagonists a lot of power and makes the victims to weak and vulnerable.



The sound throughout the trailer is very interesting and clever because it is very tense and then it becomes contrapuntal. The trailer begins with a slow piano track, which flows nicely with the pace of the trailer. In the background to this we get the sound of crickets, which indicates to us that this area is very quiet and isolated, almost as if there is no one around other then the man and the woman. The piano then begins to play the same note repeatedly, and we then get a stab of sound, almost like something falling on the floor. This stab of sound is unexpected from the piano music and therefore makes the audience jump. We then get the sound of a swing moving back and forth, which is squeaking, this sound creates tension and adds to the effect that someone is out there. This sound carries on for a while, and then fades into eerie music, which indicates to the audience that something is about to happen, and this also makes the audience tense.  After the eerie music, we get complete silence, other than the sound of crickets, which gives the impression of isolation and as if no one is around. This is ironic because in the frame, we see the main character in a long shot, with the antagonist standing behind her in the distance, but she is oblivious to this. After is silence, we get a bang, which makes the audience jump because it is unexpected and very sudden, this stab of sound is affective because making the audience jump may scare the audience but also makes them excited for the rest of the trailer. We then get a sequence of eerie music, with loud stabs in sequence with the editing. This technique of matching the sound with the editing is very clever because this creates a jumpy effect, because the loud sounds, added to the quick cuts on the screen make everything a lot more frightening. The next section of sound is a record playing in the background to the dialogue within the trailer; the record becomes a symbol of what is happening in the trailer once the fast montage begins. We get a loud stab of sound of an axe being slammed through the door, and then we hear the woman scream, and the record player gets knocked. This results in a broken record effect, which means the sound is being repeated over and over again, and this mirrors the fact that the narrative has now been completely disrupted. The record in the background gets faster as the fast montage and the editing picks up the pace, and this creates tension for audience because they are expecting something to happen. In the background to the scratch record, we have tense eerie music that gets louder and higher pitched as the fast montage comes to an end. There is not a lot of dialogue in the trailer, but the trailer ends with ‘why are you doing this to us?’ ‘Because you were home’. This choice of dialogue is clever because it ends the trailer on a creepy note, and these words will play on the mind of the audience. These words also taint the safety of someone’s home, and this also makes the audience feel unsafe and scared, being somewhere they should feel safe.

The straps used within the trailer start near the beginning and continue throughout the trailer. The first strap we get reads ‘inspired by true events’, this strap is telling the audience that something similar to this has happened before. This will frighten the audience because they may no longer feel safe in their own home, and also adds realism to the trailer. The next three straps are ‘we always tell ourselves’ ‘there’s nothing to fear’ ‘but sometimes we are wrong’. These straps will frighten the audience because it creates the effect that something is going to happen, also plays on the readers mind because it is making them question their biggest fears. The next strap comes during the fat montage and says ‘this summer’ which is telling the audience when the movie will be released and then the next one reads ‘what are you afraid of’. This is aimed directly at the audience because it is asking them a question, and makes them think of what they are afraid of, which will effectively frighten the audience. The last strap is the title of the movie ‘the strangers’ and this is used to allow the audience to remember the name and allow them to go watch it. We then get the actors names, which will encourage them to go watch the movie because they are highly popular celebrities.


The trailer begins with an establishing shot of a lake, which cuts to another establishing shot of a house, which is allowing us to see that is area is isolated. We then get quick fades between the next few shots, which allows the beginning of trailer to flow nicely, which is emphasising the fact that they are currently living normal lives and are not expecting anything to happen. We then get a slow fade into a strap, and then quick cuts between the woman and the swing. These cuts are creating tension because it is leading us up to something interesting to happen. We then get a mixture of fades and cuts leading up to a long section of silence, which is a long shot of the woman. This section allows us to see the antagonist in the house which allows the trailer to become realistic. The screen then fades to black and fades back into a new shot. The fade to black after seeing the antagonist almost mirrors that something bad is going to happen. A sequence of quick cuts again and fades are showing the other two antagonists, and these cuts are creating tension because they are revealing different point of view shots. The fast montage consists of continuous quick cuts which progressively increase in speed until the last section of the trailer which fades to black and then fades into a close up blurred shot of one of the antagonists. The sound also mirrors the editing throughout the trailer which keeps the audience interested, and frightened at the same time.



Representation throughout the trailer shows the victims as weak and vulnerable compared to the antagonists. This is shown nicely in one of the finals shots where the antagonists are standing over the victims who are tied to chairs. Liv Tyler is also represented as quite masculine, due to the fact that her costume choices are very unflattering, and this almost makes her stand out as a final girl. Tyler is defiantly represented at the final girl because she becomes feisty, and tries to fight back when we see her holding a knife, but we also see the male character holding a gun, and trying to protect his partner. The male and the female characters are almost seen as equal within this trailer, although the female has been dressed masculine to make her look like a final girl, the male character is also seen as feisty trying to fight back, but also protecting his fiancé, which is typical of a male character.

Overall I feel that the trailer is highly effective in luring in its audience, because there are so many elements to the trailer that make the audience jump, and also keep them on edge. Sound and editing are the two elements that made the trailer effective the most, because the sound was very clever, especially the contrapuntal sound of the broken record. The editing was also very clever for this trailer because it kept the trailer at a steady pace, and then kept in time with the sound which makes the trailer more effective and appealing for the audience. 

Trailer Analysis-Grave Encounters




The title of the film is mentioned at the start of the trailer, which helps to establish genre because the word ‘grave’ is a typical word associated with horror. We then get an establishing shot of a dull psychiatric hospital, which again is typical iconography of a horror movie, and the dull atmosphere in the shot is also a typical weather pattern for horror movies. A series of shots showing sections of the mental hospital appear on screen and the lighting of the images is dull, and almost just a flashlight is used with darkens the atmosphere. We then see a series of mental patients, which gives us an idea that these people are going to be important. A point of view shot leads us down a dark hallway, which is a common shot used to scare the audience. We then get our first hint at the fact that this is a supernatural horror movie, when the window opens by itself, and this is when the trailer will begin to appeal to its target audience. Mise en scene also helps establish the horror genre because of the furniture within the trailer, the fact there are old bath tubs, hospital beds and wheelchairs, obviously shows that they are in a hospital, where people have died. Screaming also is a typical convention of a horror movie trailer, and we get our first scream which helps us see that the movies intention is to scare us. A shot of the characters sitting in the hallway, allows us to see a dark figure walking across, and the other character are oblivious to this figure, which allows us to see this is a supernatural movie. A shot of cuts in the characters back is shown, which is grotesque and includes blood. Following that we get a man being thrown across a hallway by nothing which again is an indication to a supernatural movie.

 

The narrative of the trailer is conventional for a typical horror movie trailer, because it begins as equilibrium, and then we have a disturbance, a fast montage and a sting. The beginning of the trailer is an introduction to a ‘new episode of grave encounters’ which is showing us that they are filming a programme and everything is fine at this point. The main character then goes on to tell the story of the background as to why they are experimenting in this psychiatric unit, and we get various shots of the building and inside the building. The shots of the building allow us to see as an audience that there is going to be something wrong with this hospital, and maybe they should not be disturbing it. The narrative then goes on to point of views from various characters, telling us about strange occurrences they have witnessed in this building. This is the part of the trailer, where the audience are expecting something to happen, and it also establishes that this is going to be a supernatural horror movie trailer. The narrative goes on to explain why they are in this hospital, and what they plan to do whilst there, and we then get our disturbance in our narrative when they try to talk to the sprits. We get our first scream, which allows us as an audience to realise that this is where things go wrong. The narrative then begins to lead up to the fast montage, which builds up the tension of the audience, and is keeping them on edge, in this sequence, we find out people have gone missing in their group and weird things have begun to happen. The fast montage is next, which includes a small section of fast slips and straps, preparing the audience for the last scare, which is a ghost that turns around and frightens the person watching. We then get a sequence of screaming and the camera is just running away with the characters, and this is when the audience think that the trailer is over, but there is one last scare in the sting. The trailer is a typical horror movie trailer, and I feel that this helps the trailer appeal to the target audience, due to the fact that the structure is easy to recognise. The sections of the movie that have been included in the trailer are the main sections that make the audience jump, and the sections that lead up to the most frightening bits.

 

Mise en scene throughout the trailer helps to establish the genre of the movie. In the start of the trailer we see a clapper which shows us that they are filming something, and also adds to the realistic effect of the movie. The costume of the main character, is very basic and normal, however he is dressed mostly in black which is a typical colour associated with horror. An establishing shot is used to show the setting of the movie, which is a psychiatric hospital, and this shot is very dark and dull, with not a lot of lighting, which makes the building look worn down and gloomy. Inside the hospital, the lighting is very dark, which gives the building edge, and makes it appear scarier to the audience. The next set of characters we see in the trailer are also wearing mostly black clothing, which again shows us that this is a horror movie, and adds to the dull atmosphere of the movie so far. When we see more of the hospital inside, in day light we notice that the place is messy, and very worn down, as if no one has been there in years, this shows us that there is something wrong with the building, and gets us ready for something to happen in this trailer. The windows in the trailer are very old fashioned, single paned glass. This adds to the fact that this building may be quite old, and shows us that there is going to be some form of spirit in this building, and the window is going to be significant. A medium shot of the main four characters, shows them all dressed in black, which connotes death and could give us a hint to what may happen to them in the movie. The furniture within the trailer adds to the effect that this psychiatric hospital gives the movie, because it is all damaged, hospital equipment, such as beds, wheelchairs and bathtubs. We get a shot of a torn up ceiling, almost as if someone has clawed at the ceiling, which shows us that there is something in the building. A shot of the hallway also shows that the wallpaper on the walls is peeling off which adds to the age of this building and makes it seem more creepy. The cut on the girl’s back also shows us that something is after these people, because they are trying to harm them. The cameras in the movie, add to the effect of realism throughout the trailer because we continuously see them holding their own cameras which makes it seem like found footage. The girl at the end that turns around and screams, is wearing an old dirty gown, which the makeup used makes her look ghostly and very frightening for the audience, which makes it clear to the audience that there are spirits in this film that are tormenting the characters.

 

The camera is cleverly used throughout this trailer because it is supposedly a found footage movie, therefore the camera is all hand held, which gives a sense of realism. The opening shot is a medium shot of a man, which indicated to us that this is our main character and he has the most important role. We then get an establishing shot of the psychiatric hospital, which gives us the location of the movie, and the lighting of the shot also gives the building a creepy look. The camera pans across a dull room, which gives us a sense of what the inside of the building looks like, and this is quite scary. We then get a point of view shot, walking down a dull and dark hallway, and due to the lighting throughout the trailer being night vision, or flashlight, the effect of the trailer becomes scarier. A medium shot of a few characters is then shown, and this shows us that they are discussing the hospital, and obviously from the dialogue we get hints to a supernatural force. The camera then cuts to a low angle establishing shot of the psychiatric unit, which makes the building look scary and shows that this is the main focus of the movie. A long shot of the window opening by itself is then shown, which shows us that this movie is a supernatural horror, and there is a spirit within this setting. We get a medium shot of the four main characters standing quite dominantly, which shows these are the main characters and something is going to happen to them, especially the man in the middle who stands out the most in this shot. A few more shots are shown of the different rooms in the hospital, where the cameras have been set up, which gives us a feel as to how scary this building is. Another point of view shot of the hallway is shown, which may mean this hallway has some significance. A close up of the main male character is shown, where he is talking to the camera, this shot makes the footage looks really because he is almost filming it himself, making a documentary about what he sees. Another low angle shot is used to see the ceiling, which shows that the building is old and adds to the effect the hospital has on the audience. A long shot of all the characters sitting in the hallway follows, in night vision, and we see a dark figure move across the door, which again begin to frighten the audience more because now strange things are beginning to happen. Another low angle close up of the main character is showing him talking to the camera, and again this begins to show realism to the trailer. The entire film uses a handheld camera, and a lot of it is in night vision, therefore the camera is effective in making the trailer scare its audience because there is no security between the camera and the audience, and it seems as if this could happen to them.



 

Sound used within the trailer is used successfully to create a scary movie trailer. The trailer begins with a high pitched eerie sound, which almost helps to set the genre and atmosphere of the movie. We then get a sound, which is almost like when a camera has interference, and then dialogue begins. This sound of the camera ‘messing’ up is quite typical in supernatural movies, when a spirit interferes with the signal and quality which is clever for a found footage style of film. The dialogue is telling the narrative, which allows us to establish what the movie is about, and what they are doing at this psychiatric hospital. In the background to the dialogue, we hear low humming, eerie sounds, which just gives the narrative a creepy edge to it, and allows us to establish genre. We then get different people talking about things they have seen in this mental hospital, which gives us a hint to what could happen in this movie. The eerie music continues in the background of the dialogue, but this time it becomes tenser, and this gets the audience ready for something to happen. We then get our first supernatural seeing, which is the window opening, and the sound becomes louder at this point, which emphasises the shock of the window. After this point, the sound in the background becomes faster; almost like a beat of music as the character explain what they plan to do in this hospital. The main character then says ‘is there anyone here with us’ and a sudden stab of sound is heard and we get our first scream, this makes the audience jump, and now gets us ready for the rest of the trailer. The eerie music gets louder and higher, which leads up to when the ghost walks across the hallway, and then there is a burst of sound that fades. The next sequence of sound is upbeat tense music, which gets the adrenaline of the audience pumping and this keeps to the pace of the fast montage. The last section is high pitched eerie music with a slight beat matching the straps and slips of the film, and then we get the noise of a camera and it is just silence, except dialogue. The last section is when the ghost turns around, we hear a demonic roar or scream and then a sequence of screaming, which will effectively frighten the audience. Whilst the producer information comes up, we get the sound of a girl crying in the background, and then the sting includes a loud scream, which is the final scare for the trailer.

The straps in this trailer are mainly used as a fact file in order to make the movie seem more realistic and frightening for the audience. The first strap we see says ‘it is widely considered the most haunted building in America’. This strap will make the location of the movie seem scarier, and gives the audience a sense of realism, that this building is real and it is haunted. ‘Hundreds of eye witness accounts but no documented proof’, this strap is showing the audience that many people have a negative feel about this hospital, and gives a hint to what they are doing at this hospital, obviously to get proof. The next strap read ‘until now’ which is showing, these people have filmed documented proof, and this film will show the world what goes on within this hospital. ‘Their footage has remained hidden from the public for over six years’ is suggesting that what they experienced is too much for the public to handle, and it makes it seem as if it will be too frightening, The next strap reads ‘what they captured on camera cannot be explained’ which will make the audience become eager to see what they found, and will leave them wandering if this could happen to them. ‘Experience the terrifying footage’ ‘raw and uncut’, these two straps will encourage the audience to go and watch the film, and by adding raw and cut, it makes it seem realistic, saying that the footage has been released as they found it. The strap that follows reads ‘shocking and controversial’ which is how the audience will feel after watching the movie, and then we get a strap that says ‘ of the show’s final episode’ which will leave the audience wandering what has happened to these people. The final two straps are the film title and producers information which allows the audience to remember the film, so they can go and watch it.

The editing within the trailer is in synch with the pace of the clips, therefore the editing is effective. The editing at the start of the trailer starts off slow, in order to reflect the narrative of the film, and once things begin to happen, we then get a faster pace of editing. Throughout the fast montage, the editing consists of fast cuts, from shot to shot, which is leading the audience up for the final scare in the trailer. From the first shot, there is a quick cut to an establishing shot of the hospital, which is just allowing the narrative to flow. We then get a sequence of fades, between each fade there Is a clip showing the inside of the hospital. These fades are slowly introducing each room of the hospital that are going to play a part within the movie, by using a fade; this is making the location look creepier because it is slowly introduced. There is a sequence of quick cuts which shows different mental patients that used to live in this hospital, and these quick cuts reflect the mind of these patients. We then get an eye witness account from an old lady, and from this shot, the camera fades into a dark shot from a window with a strap across it. The effect of using a slow fade is creating tension for the audience, once the old lady has said something about the hospital that will shock the audience. Again we get a sequence of slow fades, between different eye witness accounts of the hospital, and then a quick cut to an establishing shot of the hospital. This creates tension for the audience and then the quick cut to the shot of the building, makes the building become more frightening to the audience. Once the narrative gets deeper, and they begin explaining why they are in this hospital, the editing changes to quick cuts. These cuts switch from different characters preparing themselves for their experience in this hospital, and this shows us that they are ready, and hints to us that these are the four main characters and something will happen. Leading up to the fast montage, we get a few clips separated by cuts, and this is where the tension is high within the trailer, and by using cuts, there is a continuous tense atmosphere leading up to the end of the trailer. The fats montage consists of very fats cuts, going from a clip to a strap each time, this is creating high tension, obviously leading the audience up for the final scare, and also reflects the fear that the characters are experiencing. We then get almost a fade to white which carries on to the section of the girl screaming into the camera, the fade to white almost reflects that there is something coming up. We then get a fade to black, and the title comes up, which gets the audience feeling relieved because the trailer is over, but the black cuts to a final sting.

The opening shot of the trailer is a medium shot of a man, which normally means that this is going to the main character, and also gives him quite a dominant role. The girl in the trailer is quite defeminised due to the fact that she is the only girl in the film, and she is wearing the same colours as the male characters. This could mean that this film is showing no importance on the female gender, and the male characters are seen as more dominant. However the girl is the second to last character in the film to go missing, therefore she is seen as quite an important character. We get a medium shot of all four characters and within this shot, the man in the middle has the most light on his face which shows he is the main and most dominant character, and the girl is barely in the frame which gives her the least importance. In the trailer we see the girl gets cuts up her back, which makes the girl character seem weak and venerable. We get a shot of the main character on his own, which suggests to us that he is the last one standing.

Overall I feel that he trailer itself is highly effective in luring in its audience, and I feel the most effective factor is the narrative itself. The film is a found footage style movie, which is a true story, and this will interest people more and will encourage them to go watch it. I feel that the sound within the trailer makes the trailer jumpy and the most frightening, and this again encourages people to watch it because it gives them an adrenaline rush. The trailer encouraged me to watch the movie, so therefore I feel that the structure of the trailer being conventional allowed the movie to be successful.